The Fender Blues Junior is a GREAT valve
amplifier.
15 Watts
2 EL84 output tubes and 3 12AX7 pre-amp tubes
Treble, Middle and Bass tone controls
Master Volume
Reverb
'Fat' switch
12 inch Fender speaker
Note:Older 'green board'
Blues Juniors, made up to about 2001, have a darker tone than the newer 'cream board' amps which
are brighter and have more treble. The circuits though are
more or less the same.
So, why modify it?
It’s an excellent, very popular amp
and great value for money but, out of the box, it doesn’t sound as good as it could because it’s
made to a price and doesn’t always use the best quality components. By changing component
quality and values the sound can be opened up and a wider range of tones can be achieved. Adding new
components
provides
an even wider range of sounds.
It has a Master Volume and you can get
breakup and distortion at low levels but it's not the creamy output tube sound with harmonics and sustain
that you get when the amp is cranked up and 15 watts is just TOO LOUD for most people to be able to get
the true valve distortion sound that they are looking for.
In a medium size room, which is where most people have to practice, even a 1 watt valve amp can be so loud
that you would have to shout really loud to be heard (about 100 decibels) - and around 1/10th of a watt is
what
is often referred to as “bedroom level” for late night noodling.
By fitting Power-Scaling™ to your Blues Junior
you can achieve any level and combination of pre-amp and output stage distortion down to less than 1/10th watt.
(
see http://www.londonpower.com/pscaling.htm)
The
Master Volume is very sensitive when you are trying to set it at lower levels which makes it tricky to set distorted tones
at low levels.
The Reverb control is also very sensitive when you're trying to set low levels
of reverb
The reverb in the early 'green board' models is wired differently than the
later 'cream board' models - it's not proportional to the master volume setting.
The output tubes are nearly always biased too hot i.e. the output is set
too high and there
is no adjustment for the output valve 'bias'. When
you change output valves you MUST re-bias them if you want to:
a) maintain the same tone or experiment with other tones
b) extend
the valve life
The only way to do this on a Blues Junior is to have an amp tech change the bias circuit. Even then
you cannot adjust the bias on individual valves.
UK amps are often wired for the wrong supply voltage.
The Negative Feedback circuit has no adjustment (no presence control).
The Fender speaker sounds OK but it's a bit 'flabby' in the bottom end mainly
due to issues with the amp.
Some newer amps have leaking Filter capacitors.
About our modifications
We can correct all of the issues highlighted above.
You will find a number of modifications for Blues Juniors on the internet. The
most respected site is that of Bill Machrone. Our mods include some of Bill's published mods that are
in the public domain. We also fit Power Scaling with bias measurement points and adjustment for each
output tube so that you can set the bias yourself.
I have chosen what I believe to be a successful combination
of
changes and
additions
which allow
the amp to reach
it’s
full potential and provide a wide range of tones from clean to heavy distortion and all at volumes down to ‘bedroom
level’.
*Please note that I am licensed to install Power Scaling™ and
use genuine London Power components
for the Power Scaling™ circuit.
Modification Options
We offer a range of mods to your own Blues Junior
as well as ready modified amplifiers.
Power
Scaling™ 15 watts down to 0.1 watt of pure valve tone.
(see the
Power Scaling page and FAQ's).
This also includes individual bias adjustment pots for each valve and bias measurement points so that you
can adjust the bias yourself without encountering high voltages.
Combined Power and Standby Switch.
Audio taper Master Volume control.
Audio taper reverb control.
Green board reverb re-wired to cream board spec.
Presence control.
Tone stack mod to allow full reduction of mids (can be switchable with presence
control).
New top quality tone caps and other improved components.
Shielding or replacement of the standard input jack.
Bright mod to give a 'green board' amp more treble. Not as bright as the
'cream board' but close. Can
be switchable with the presence control.
Increased output tube filter cap for 'better' loud bass notes and less sag.
Change to pre-amp voltages to improve clean headroom (best for 'green board' BJ's).
Upgraded speaker to Celestion Greenback or Vintage 30.